Impermanence is the notion that all conditioned existence is transient, evanescent and inconstant. The term is essential to Buddhist doctrine on existence. Although Buddhism and its practices are not directly related to his exhibition the notion of impermanence is one that I find to be particularly effective in conveying the essence of this body of work.

This series began after the sudden passing of my mother. I found myself in a deep period of contemplation on the essential meaning of death as well as life. I explored the profound bond between mother and child, as well as the changing relationship during the time of birth. As the child is involuntary separated from their mother, they are weak, fragile and experiencing everything for the first time. Similar to how I felt during my second separation from my mother. The images chosen are all caesarean births to imply medical intervention during a very personal experience.  I chose to emphasize these moments in which unknown individuals are cutting the umbilical cord symbolizing to me a lack of choice in the matter but also the inevitability of that moment.  

Fortunately, this series had a chance to evolve to display a painting style change, as well as an interpersonal evolution on the subject matter.  The dark chiaroscuro oil paintings are subtly juxtaposed with a looser more expressive style. This colour and style change progressed and is reflective of my current relationship with the subject matter.

I dedicate this exhibition to my mother Joann, and our ever-evolving relationship even though we are no longer physically connected.